Monday, October 30, 2006
End of the first week of rehearsals in London and I spent the day off moving. There was a shortage of housing and I had to wait for "The Graduate" to close so that I could move into the place where I will now live until Dec. 30. My new home is a marked improvement from my last one where there was no stove/oven, no bed (only a futon which doubled as the couch) and there wasn't really a bathroom to speak of, only a sink, toilet and shower installed in the laundry room. So, when you sit on the toilet, you not only have you knees under the sink, you are also sitting next to the furnace. This is what $100.00 a week gets you. My new place has an actual bed in it's own room, an actual bathroom with a spacious shower and a lovely kitchen that I share with the homeowner. And....there is a GoodLife gym 3 blocks away and an Irish pub with free wireless internet about 5 blocks away (this is a minor miracle since London seems completely uninterested in wireless internet connections in it's public spaces).
Thursday, October 26, 2006
B & B RIDES AGAIN
Rehearsals have started for The Grand's production of "Beauty & The Beast" in London. The show is going to look amazing. The set and costume designers (Judith Bowden and John Dinning) have allowed themselves to be inspired by the great illustrators Maxfield Parrish and Edmond Dulac. Everything is very, very rich, colorful, detailed, lush , textured and full of fairy-tale touches.
Sunday, October 22, 2006
DISNEY STRIKES AGAIN
I leave for London tomorrow to start rehearsals for "Beauty & The Beast" at The Grand on Tuesday. Once again into the fray of Disney-fied happiness. Though I am hoping that because this theatre company understands the value of rehearsal time and takes it's art and it's performers seriously, there may actually be a more meaningful show the ends up being unearthed this time. Oh, and did I mention a director that knows how to direct?
Tuesday, October 17, 2006
Bodyworlds
Went to see the BODYWORLDS exhibit at the Vancouver Science Centre today. I admit that I did have some brief, minor moments of squeemishness when I remembered that these were actual bodies that I was looking at. Overall, however, what I took away from the exhibit was two things: One, that we are really very small creatures when you look at us in a purely physical sense, and fairly fragile too. And two, without an energizing force in the body, animating it, giving it reason and context in it's environment, it is only a body, a lump of protein and water that might just as easily be a bowl of pudding. So......what IS that energizing force? When will they be able to plastinate a soul?
Monday, October 16, 2006
Full Circle
I'm feeling a sort of 'full-circle-ness' from being in Vancouver. Not two blocks from where I'm staying is the old Tivoli theatre (it's coffee place now, like every piece of prime real estate in Vancouver) but it's also the place where I saw "The Rocky Horror Show" when it first came out in the late 70's when I was living here. ....and now I've played the lead on stage. Also, I had lunch today with an old friend with whom I did a production of "Bent" years ago in Calgary. (I mean...many years ago...probably 1986 or 87). So here's the question I ponder.....if you are re-visiting things from so long ago, does this mean you have come full circle and its time to move on, or is it time to learn the things you didn't learn the first time around?
Tuesday, October 10, 2006
SHORTBUS
I just saw John Cameron Mitchell's new film, "SHORTBUS" and I'm totally impressed. I think he's really broken new ground and created something quite extraordinary. Though the film has been sensationalized for it's graphic sex that IS NOT simulated, what the characters end up revealing is far more interesting. And what the actors end up revealing is much much more than their physical parts. For me, the intense honesty of some of the scenes, the total openess of the performers was far more humbling and even more uncomfortable than the release of some fluids on screen.
This film is a brilliant study of our search for intimacy & acceptance and our own realization that it never comes from anyone but ourselves.
This film is a brilliant study of our search for intimacy & acceptance and our own realization that it never comes from anyone but ourselves.
Monday, October 09, 2006
ROLLERBLADING BY THE SEA
I made a realization today as I was rollerblading the sea-wall around Stanley Park. Even though I grew up land-locked, I have always loved being near or, better yet, in the ocean. Today, however, I realized that its more than just wanting to be near it, I only feel complete when I'm near it. Its as though I have an extra limb that can only survive in the salt water and it waits for me to return to it again and again so that the final piece of me can be re-attatched once more.
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